So there aren’t a lot of albums that I say “I feel like emotion x. I should listen to album y.” But The Devil And God Are Raging Inside Me by Brand New is one of those albums. Lead singer and primary song writer, Jesse Lacey, wrote the album when he was feeling depressed and stressed out, and honestly it covers those emotions just about perfectly. This is definitely my “bummer/I don’t want to talk to anyone” album.

The album as a whole draws largely on the influence of The Smiths and other post punk bands of the ’80s. But don’t be deceived. This is a very modern sounding record that draws upon two main sources to formulate its sound. There is the older punk sound that Brand New captured in their earlier records fused with the finesse that bands like Manchester Orchestra and Say Anything promote. Essentially, (from my guitarist/songwriter perspective) there are a lot of creative guitar parts. Brand New plays with reverb and delay a lot and uses a lot of distortion and power chords for those big choruses.

The album focuses mainly on the concept of depression and struggling to find God in the scariest most brooding situations. The opening line of the album (from the track “Sowing Season”) sets the tone pretty quickly, as Lacey sings, “Losing all my friends / Just losing them to drinking and to driving.”

The album wanders on, hitting stand out tracks like “Millstone,” “Not The Sun,” and “Jesus” that use Brand New’s signature “LET’S USE A MILLION DIFFERENT VOCAL TRACKS AND HAVE IT WORK PERFECTLY” style.

One potential criticism of this album would be the fact that as it goes on through its 12 tracks, it is very easy to get a little lost and forget which track you are listening to. It is very easy for songs to be good, but not stand out enough for you to really be affected in a different way by a different song. However, this is just a minor flaw in an otherwise well crafted piece of art.

I will leave you with this YouTube video of “Luca,” with the side note that even as a fan of this album for several years, I still get scared when it comes in loud at the end of the bridge (You’ll know. I promise).

So, you like dubstep. Good for you. But have you heard of dub?

Before dubstep, there was a lot of good electronic music. In fact, there was even electronic before computers. You’re probably aware of reggae and Bob Marley’s music. But if you’re only aware of Bob Marley’s now-iconic music, you’re missing out on some of the most innovative electronic music.

Dub grew out of reggae in the late ’60s and was pioneered by artists like King Tubby, Lee “Scratch” Perry, and Scientist. Reggae, which focuses on offbeat rhythms, staccato chords, and call-and-response vocals, is often criticized for sounding uniform in sound design; however, dub sought to resolve this problem. By removing vocals and emphasizing the drum and bass parts of the track, dub music focuses on the talents of producers and their ability to manipulate the now-archaic gear they owned. Before the invention and proliferation of the computer, electronic backbeats were incredibly difficult to generate, let alone fine-tune.

Through their extensive knowledge of their equipment (and ability to modify it), dub producers were able to add extensive amounts of echo, reverb, and delay. Creating dub versions of reggae tracks served as an opportunity for producers to differentiate themselves and showcase their labels’ equipment. Similar to the way The Velvet Underground influenced almost every rock band that followed it, these dub producers heavily influenced the originators of techno, jungle, drum and bass, house, punk, trip hop, ambient, hip hop, and dubstep.

To begin to appreciate and love this incredibly powerful type of music, I recommend getting a copy of Scientist’s Heavyweight Dub Champion, waiting for a sunny day, and letting the good vibes flow.

So here comes another band from Los Angeles with a self-titled debut album and a really pretentious sounding band name. Probably taken some from high brow novel? Oh it was? I’m not surprised…

Oh, wait — this band is actually awesome. To be honest, the first time I heard The Airborne Toxic Event, I sort of wrote them off. It took me a long time to actually give their material a listen and even when I did, I wasn’t initially extremely fond of it. But present me takes a look at past me and wonders what past me was thinking. The Airborne Toxic Event is a quality rock band that displays expert musicianship and makes sure that songwriting always comes first.

The sound that The Airborne Toxic Event displays is simply well balanced. The band is made up of several classically trained musicians. The bass player, Noah, not only has the ability to play the bass, but also the cello and the double bass. The violinist, Anna, often takes on several responsibilities in live performances, including background vocals, percussion, and keyboards. Each member adds his or her own personal flare to lead singer Mikel Jollett’s thoughtful songwriting. The sound is reminiscent of a modern day adaptation of The Cure if The Cure had a violin player and used straight pianos instead of synths.

The opening track on their debut album is actually a simple layering process. Obviously built on a piano riff that front man and lead singer Jollett wrote, “Wishing Well” talks about a pretty common theme: wanting a night to go somewhere special or significant. Jollett writes touching lyrics where he is obviously being very personal, but still trying to get in touch with the listener.

Other standout tracks are “Gasoline,” “Happiness Is Overrated,” and the short-and-to-the-point “Does This Mean You’re Moving On?” The title just about says it all as far as the subject matter of the lyrics goes. The music has a simple backing that serves the addictive melody of the chorus. A wonderful video of the band playing the song in the back of their van is posted here (check out more of these videos on YouTube. They did one per song on this album and they’re all fantastic.)

The lead single, “Sometime Around Midnight,” is this amazing five-minute epic, which has no chorus and simply tells a heartfelt narrative. The story is stereotypical: see your ex at a bar, get really drunk and upset, stumble through the streets with the need to see her. But Jollett puts his own spin on it and you believe every line. I would suggest this as a wonderful gateway into the rest of the album (which is why I have provided a video for you! How convenient!)

It’s pretty clear how I feel about this band. Go get yourself this album. I need to say no more.