Electronic music can be viewed in a lot of ways. Sometimes it seems cheap and synthetic. Sometimes things like dubstep culture seem to threaten the integrity of the alternative and indie scenes, where bands are constantly struggling to make music their careers. However, once in a while, electronic music can fuse perfectly with alternative music. The result: an album that is creative, innovative, and very well thought out. Michael Angelakos of Passion Pit has done just that with his new release Gossamer.
Although known for his signature falsetto vocals, Angelakos writes and programs all of the parts for Passion Pit. He is a one-man-band of sorts and the group’s debut album, Manners, gained popularity very quickly within the alternative scene. Angelakos was faced with the large task of avoiding the “sophomore slump” with his follow up, Gossamer. And he nailed it.
From start to finish, Gossamer is pure gold. The opening track and lead single “Take A Walk” blasts the listener with catchy synths and well-orchestrated dynamics. The second track, “I’ll Be Alright,” is programming genius, strategically using vocal squeaks and heavy distorted keyboards to brighten up the somber, self loathing tone of the lyrics.
The album carries on with “Carried Away,” this album’s “Little Secrets” equivalent, and “Constant Conversations,” which is an interesting, catchy R&B (yeah… really) track.
The rest of the album is not at the same level as these first four tracks, but that does not mean the songs don’t hold their own. The rest of the songs are still catchy and fun with very real lyrical content.
The album outlines Angelakos’ struggle with bipolar disorder, which turned into drug use and strain on his engagement with his fiancée. He tells all on the closing track, “Where We Belong,” which outlines a failed suicide attempt. The lyrics on this album are all very personal and very genuine and add a lot of personality to an electronic album. Personally, I think this is going to be one of the most important, groundbreaking alternative releases of the year.
Enjoying a new type of music is similar to learning a new language. Developing a functional knowledge and understanding a few key phrases isn’t that difficult, but attaining fluency requires research, practice, and more time than one first imagines. The key to both, however, is immersion. Surrounding yourself with people who are already familiar with the culture is the most efficient way to learn about any musical style.
You can try doing research on your own by reading Pitchfork or Drowned in Sound, surfing Wikipedia’s “list of X-genre artists,” and downloading a bunch of albums that you’ve heard belong in a certain genre, but this is no different from learning a language solely through how-to books and instructional podcasts. In other words, by learning this way, you lose the human aspect — the social nuances that elevate communication beyond simple information transmission into a form of spiritual connection and understanding.
There is another key similarity between learning a new language and broadening your musical taste: There is a critical period of acquisition, and once you pass that period, fluency is much harder to acquire. According to Daniel Levitin, associate professor of psychology at McGill University, it is our music taste during our teenage years that most heavily influence our listening preferences as adults. While that critical period has already passed for most of us, there is still time to listen and learn.
Carnegie Mellon is one of the most diverse universities in the country. Our music program is world renowned, our radio station is one of the final bastions in freeform radio culture, and Pittsburgh is a musical hotspot for most any type of style. So, why are you still reading this? Go find something new to listen to and expand your mind.
Well hi, hi, hi there. My name is Alex Price, and I am the current general manager at WRCT Pittsburgh, Carnegie Mellon’s student-run radio station. In this weekly column, members of WRCT’s staff will tell you about whimsical musical journeys and adventures, exciting music (old and new) that deserves your undivided attention, and whatever else strikes our fancy — that our editors will let us print.
It’s a safe bet that everything and everyone on campus is competing for your attention, so I’ll get to the point: If you’re interested in just about anything, you’ll find a home at WRCT.
WRCT, known as Radio Carnegie Tech in older times, has been around for more than 60 years. As a free-form radio broadcaster, we are committed to providing quality alternatives to the mainstream commercial programming that dominates the radio. Our DJs, public affairs hosts, and other staff members are not only Carnegie Mellon students, staff, and faculty but also community members from the Pittsburgh area, some of whom have more than 30 years of radio broadcasting experience under their belts.
At WRCT, every DJ has the freedom to play the music of his or her choosing. So, whether you’re interested in bleeps and bloops, kitchen sink recordings, local independent news programming, or Latin American culture, WRCT has a program for you.
If you want to learn more about what we do, we’ll be on the Cut playing music during the beginning of the semester. Please stop by and introduce yourself; we’d love to meet you and take you in as part of the radio family. To learn more about the membership process, email our training director Anna Bieberdorf at training@wrct.org.
